happy sailing
squiggle
Aug
24th
Mon
2009
permalink
Mel Bochner: Language is Not Transparent, 1970“Language is Not Transparent (1970), a text written out in chalk on a painted section of wall, and Bochner’s prepositional sculpture works from the same year are ambitious attempts to give visual form to Wittgensteinian logic. The difficulty with much of these works runs parallel to that of Wittgenstein’s statement that ‘It is difficult to know something and to act as if you did not know it.’ Bochner regularly asks the viewer to act as if they didn’t understand his logistic inquiries into objective truths. Much of his work comes across as pretentious and impenetrable when it is often obvious and simple. Take, for example, Axiom of Indifference (1973), where Bochner employs tape to square-off areas that contain pennies. Denotations written on the tape correspond to the location and proximity of the coins on the floor. ‘SOME ARE IN’, ‘SOME ARE OUT’, ‘ALL ARE OUT’, ‘ALL ARE IN’ further the practice of ‘reading’ visual language over ‘seeing’ visual language.” (Source - Michelle Grabner in Frieze Mag.)
“…Experiencing a meaning and experiencing a mental image. ‘In both cases,’ we should like to say, ‘we are experiencing something, only something different. A different content is proffered —is present— to consciousness.’ What is the content of the experience of imagining? The answer is a picture, or a description. And what is the content of the experience of meaning? I don’t know what I am supposed to say to this. —If there is any sense in the above remark, it is that the two concepts are related like those of ‘red’ and ‘blue;’ and that is wrong…”— Ludwig Wittgenstein, “Philosophical Investigations”
(ekstasis:velveteenrabbit:i12bent)
Mel Bochner: Language is Not Transparent, 1970
Language is Not Transparent (1970), a text written out in chalk on a painted section of wall, and Bochner’s prepositional sculpture works from the same year are ambitious attempts to give visual form to Wittgensteinian logic. The difficulty with much of these works runs parallel to that of Wittgenstein’s statement that ‘It is difficult to know something and to act as if you did not know it.’ Bochner regularly asks the viewer to act as if they didn’t understand his logistic inquiries into objective truths. Much of his work comes across as pretentious and impenetrable when it is often obvious and simple. Take, for example, Axiom of Indifference (1973), where Bochner employs tape to square-off areas that contain pennies. Denotations written on the tape correspond to the location and proximity of the coins on the floor. ‘SOME ARE IN’, ‘SOME ARE OUT’, ‘ALL ARE OUT’, ‘ALL ARE IN’ further the practice of ‘reading’ visual language over ‘seeing’ visual language.” (Source - Michelle Grabner in Frieze Mag.)

“…Experiencing a meaning and experiencing a mental image. ‘In both cases,’ we should like to say, ‘we are experiencing something, only something different. A different content is proffered —is present— to consciousness.’ What is the content of the experience of imagining? The answer is a picture, or a description. And what is the content of the experience of meaning? I don’t know what I am supposed to say to this. —If there is any sense in the above remark, it is that the two concepts are related like those of ‘red’ and ‘blue;’ and that is wrong…”
— Ludwig Wittgenstein, “Philosophical Investigations”

(ekstasis:velveteenrabbit:i12bent)